Fountainhead®
Tanz Théâtre
DIRECTORY
Preis
für eine kulturell
besonders interessante
Internetseite
Award
for a highly
recommended
cultural website
The
events and organizations listed on this website are produced and directed
by Fountainhead® Tanz Théâtre or are in association with
Fountainhead® Tanz Théâtre.
Die Veranstaltungen und
Organisationen auf dieser Internetseite werden von Fountainhead® Tanz
Théâtre produziert und geleitet oder stehen in Verbindung mit Fountainhead®
Tanz Théâtre.
Fountainhead®
Tanz Théâtre / Black International Cinema has been granted the status
of
"Associated Projects to the UNESCO Slave Route Project."
Fountainhead® Tanz Théâtre / Black International
Cinema wurde der Status
"Associated Projects to the UNESCO Slave Route Project"
erteilt.
|
XXXIX. 2024 Black International Cinema Berlin
November / December
(dates t.b.a.)
CALL FOR ENTRIES
Please download the
entry form.
Submission Deadline: September 30, 2024
in cooperation with / in Kooperation mit
Humboldt-Universität
zu Berlin
Institut für Musikwissenschaft und Medienwissenschaft
Institutsdirektor Prof. Dr. Wolfgang Mühl-Benninghaus
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Original
Fountainhead®
Tanz Théâtre Logo, ca.1980
Design by Prof. Gayle McKinney Griffith
|
Alexander
Sergeyevich Pushkin (1799-1837)
"The Father of Russian Literature",
considered one of the great literary geniuses in history
|
Prof.
Gayle McKinney Griffith / co-founder/director
Fountainhead®
Tanz Théâtre /
Black International Cinema Berlin /
The Collegium - Forum & TelevisionProgram Berlin /
"Footprints in the Sand?" Exhibition / Cultural Zephyr
e.V.
|
James
Van DerZee (1886-1983)
Known as "the picture-takin' man,"
was one of the great masters of photography
|
Frederick
Douglass & Son
|
Lou
Blackburn "Mombasa"
|
Dr.
Ralph J. Bunche and Mrs. Eleanor Roosevelt in 1949
photo: United Nations
Dr.
Ralph J. Bunche in 1949 for Collier's Magazine
photo: Dan Weiner, courtesy Sandra Weiner
"I
have a deep-seated bias against hate and intolerance. I have a
bias against racial and religious bigotry. I have a bias against
war and a bias for peace. I have a bias that leads me to believe
in the essential goodness of my fellow man, which leads me to
believe that no problem of human relations is ever insoluble."
Ralph
J. Bunche, Nobel Laureate,
1950
In
1949, Ralph Johnson Bunche (1903-1971) successfuly negotiated
armistice agreements between Israel and four neighbouring Arab
nations. For this outstanding feat, he was awarded the Nobel Peace
Prize. It was the first time ever that the prestigious prize had
been awarded to a person of color and it catapulted Bunche into
worldwide celebrity. However, it was not the first or the last
time that Ralph Bunche would make history. The global reach of
his work can be seen today in the peacekeeping strategies and
operations which he created as United Nations Under-Secretary
General. Bunche's living legacy also includes major contributions
to world decolonization, conflict resolution and advancements
in human and civil rights at home and abroad.
|
THE DUKE OF ELLINGTON
|
FOUNTAINHEAD®
2002 |
PEACE THROUGH JUSTICE
FRIEDEN DURCH GERECHTIGKEIT
|
THE COLLEGIUM TELEVISION PROGRAM
BERLIN
Magdeburg . Wolfsburg . Dessau .
Portland/USA
produced
& directed by
Fountainhead®
Tanz Théâtre
Black International Cinema Berlin
"Footprints in the Sand? ExhibitionBerlin
in association with
Cultural Zephyr e.V.
Monday/Montag
1-2 am / 1-2 Uhr Thursday/Donnerstag
9-10 am / 9-10 Uhr
Saturday/ Samstag
2-3 am & 9-10 am / 2-3 Uhr & 9-10 Uhr
ALEX
- Offener Kanal Berlin
presenting
/ präsentiert wird
Cinema
/ State of Affairs / Arts Calendar
Filme / Diskussion / Kunstkalender
for
program information, please contact:
Programminformationen bitte unter:
Tel.: 0049(0)30-470 608 63 / 754 609 46 Mobile:
0049(0)176-993 685 82
|
THE BUDDHA
One
of the world’s most prolific philosophical and religious leaders
was the great sage called the Buddha. At different stages of his
development he was also referred to as Sakyamuni, Siddartha and
Siddartha Gautama. The Buddha’s origin is traced back to India,
yet his philosophical doctrines spread throughout Southeast Asia,
Tibet, China and Japan. India had an indigenous Black population
which found its way into the subcontinent about 50,000 years ago
from Ethiopia, ultimately establishing a great empire known as
the Indus Valley civilization. "There were two Ethiopias, one
to the east of the Red Sea, and the other to the west of it, and
a very great nation of Blacks from India, did rule over almost
all Asia in a very remote era, in fact beyond the reach of history
or any of our records," says Godfrey Higgins, British archaeologist,
author and historian. In 1500 B.C. this great empire was invaded
by a tribe of barbarians from the north of India, igniting a series
of wars upon the Indian subcontinent which lasted nearly a thousand
years. (The Rig Veda, the most ancient of India’s sacred works,
describes this confrontation.) The conclusion of these classic
battles ushered in India’s first historical golden age, the age
in which the Buddha was born ( 563 B.C.). Through cultural and
racial assimilation, the face of India and the face of Buddha
began to change. Yet the Buddha in his most original appearance,
with flattened nose, powerful lips, and the curling hair falling
in locks, can still be found. Godfrey Higgins states in his classic
text The Anacalipsis, "The religion of Buddha, of India, is well
known to have been very ancient. In the most ancient temples scattered
throughout Asia, where his worship is yet continued, he is found
Black as jet, with the flat face, thick lips and curly hair of
the Negro." The photo depicted here is characteristic of the many
splendid Black Buddhas found throughout Indochina. Without a doubt,
the Buddha was the most influential spiritual force in the east.
After his death in 473 B.C., the religion he inspired, Buddhism,
spread throughout Asia.
|
Jessey Norman
Kathleen Battle
AMISTAD
Opera
in two acts in English
Music
by Anthony Davis
Libretto by Thulani Davis
First performed by Lyric
Opera of Chicago
on November 29, 1997
|
|
Conductors
Dennis Russel
Davis
Philip Morehead
Choreography
Hope Clarke
|
|
|
©Fountainhead® Tanz Théâtre 2024
|
|
|